SELECT WRITING: ACADEMIC
Papers
Projects
The Descent into Self: An Erasure Poem of Keats’ “Ode to a Nightingale” (page 2)
Artist’s reflection on “D/ /semod/ /ment”
“The Recounting”: Artist’s statement
What Remains: A Record of Armenian Monuments Under Siege
Swallowed by the Infinite: Inversion and Imagination in “I reckon - When I count at all”
The Painted Word: Exploring the Art of Expression in New York City
Beyond Guilt: Outrage, Punishment, and the Political Potential of the Trauma Novel
Telling the Dream: Intimacy and Impermanence in Richard Siken’s “Scheherazade”
Escaping the Inescapable Mind in John Keats' “Ode to a Nightingale”
Syntax of the Unspeakable: The Limits of Language and Individuality in “Summer Flowers"
Structural Violence and the Refusal of Recognition in Pat Barker's Regeneration
The Fatal Pursuit of Masculinity: Gendered Struggles Behind Cesare Pavese’s Suicide
Entering the Cave: Unveiling the Violent Logic of the Dark Interior
Shining Light on the Shadows of Thought
Theory of (the Intoxicated) Mind: From Unreliable Narrator to Self-Analysis
Transgender Multiplicities in Jos Charles’s Feeld
Private Conversation vs. Public Verdict: How Culture Confronts Law in Judgment at Nuremberg
A Close Reading of Louise Glück’s “Nostos”
Embracing Stillness: A Contemplation of Love and Being in Mary Oliver's “Spring”
Your Honor, I Present Before You: The Layered History of Legalese
Human Waste Management in South Sudan
SELECT WRITING: ACADEMIC